Richard Strauss was the son of a distinguished French horn player in Munich, Franz Strauss The poet he chose to set was Justinus Kerner We hear the alpine horn serenely reverberating over mountain and valley, with its simple call consisting of the broken chord of one major triad. The rather Schubertian spell is disturbed only by restless minor key music at verse 3, but the last lines restore the gentle mood.
The idyllic freshness of the opening bars of this youthful effusion was something Richard Strauss never lost the ability to conjure up. For all his progressive harmonic daring, he was ever able to evoke the simplest bucolic nature-mood, for example in such late works sixty or more years on as Daphne , the Oboe Concerto or the Clarinet and Bassoon Concertino Und morgen wird die Sonne wieder scheinen to a poem by the Scottish-German writer John Henry Mackay, also has a simple ascending arpeggio accompaniment at the outset.
Schubert - Wiegenlied Op. 98, No. 2 sheet music for Violin - iczecorbi.tk
But this simplicity belies the sophistication of the harmonic and melodic structure of a beautiful and justly famous song. The unfolding of these three strands in a mood of unhurried wonderment brings a sensation of hushed poise that is maintained to the last note. This was a worthy member of that marvellous group of songs Strauss presented to his bride, the singer Pauline de Ahna, as his wedding present on 10 September Der Hirt auf dem Felsen was composed in October and designed as a display piece for a renowned Berlin opera singer Anna Milder-Hauptmann.
It stands apart from the great world of his Lieder, not only by including clarinet obbligato, but in its dramatic scope. The memorable, graceful opening leads to a truly Schubertian middle section, and the final allegretto bubbles over in radiant anticipation of the spring.
Schubert’s ‘Shepherd’ adopts old form with hidden agenda - The Boston Globe
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Studio Master:. Introduction English Composers had a love affair lasting unbrokenly from the early Spring of musical Romanticism—Schubert—until its long, lingering autumn with Richard Strauss. The object of their affection was the clarinet. The recent ECS release can be previewed here. The three contrasting movements are entitled: 1.
The Lord is my Shepherd (SATB)
Watch the score and hear the premiere on YouTube. You can explore them at Canticle Distributing, where you can hear recordings of them both:. Gifted mezzo-soprano Amy Fogerson presented a program of L. The songs are 1. The solo cello part was taken by bassoon. Release date tba.
The Shepherd on the Rock
Paul the Apostle Church in Westwood. Court Street , presented by the Casasanta Foundation. Charles R. Robinson, at the Chattanooga Convention Center on April 13, Hear the piece on YouTube.
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Both pieces can be heard and seen by downloading PDFs that have the music embedded in them. The first piece — Spiritus Sanctus vivificans vita — is a setting of a hymn by Hildegard of Bingen. The second — Here Is a Soul — uses fragments of the Psalms as its text. See the flyer. To see lyrics and order the CD, visit the Gothic catalog. Free admission.
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View the new YouTube video of my recent elegy for string orchestra. The Christmas-related program featured works by contemporary California composers, including Paul Gibson. Read the LACC press release. Visit Fatrock Ink to sample or purchase.
The chorus sang from a chart prepared by Paul Gibson for the occasion. Link to NBC chapter 6. More at LosRoblesMasterChorale. There are two video slide shows on YouTube set to music by Paul Gibson.
Russell M. Beaudoin led the choir and congregation of St. Francis de Paolo; Fr. Gino Vanzillotta composed the poem and commissioned the setting.
Click for more information about the Festival. Schirmer in their Winter packet. PDF of the score including audio is available now online. Attendance set a record for a Western Division Convention, with nearly registered attendees.